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One of the most fundamental aspects of the modern world today is the emphasis on "rationality" and "rationalization" in everyday life. In today's world, as we move forward and progress, in the words of Max Weber, we are caught in the "iron cage" that we have created and the mystical and spiritual feeling, one of the most important dimensions of human existence, has been diminished and marginalized or it has fallen to the point where the nihilistic philosopher Nietzsche declares the "death of God." The process of secularization and the spread of modernity could not remove religion from the realm of society, and Klaus Eder believes that religion did not disappear, but simply disappeared from public space. At the end of the twentieth century, a kind of global return and revival of religion is observed in most parts of the world.
The urban element "worship" was one of my successful works in the managerial experience of the Artists' House, which was designed and executed by the good artist Hamidreza Hakimi. This urban symbol in a form of a sitting bird with a height of 3 meters which is made using one-piece stone material was one of the few stone projects in the managerial experience of Mashhad Artist’s House.
