Defining urban art projects for cities that are artistically highly authentic is extremely difficult and sensitive. Isfahan and, of course, the cities that are somehow closely related to this civilization, both in terms of content and in terms of form and manner of expression, make the work difficult and complicated.
In 2016, based on the recommendation of the director of the Isfahan Beautification Organization, I implemented the idea of a friendly dialogue between nature and traditional arts in the form of a pasture sculpture for the city of Najafabad. Making this sculpture was one of the most enjoyable sculptures I have ever experienced. The dialogue between nature and art with a touch of originality is one of the most important features of this work of art. Attention to the proper location of this work of art and, most importantly, increasing the sense of belonging of citizens to such projects in Najafabad, Isfahan was strongly visible.