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Farabazi’s bowling-ball installation anchors the venue’s parallel-worlds narrative. Its relationship with the coffee-shop figure, the split between floor and ceiling and its role as a photo point connect sculpture, place identity and visitor participation.
The bowling-ball installation in the central square of Farabazi opposite the main entrance is a key expression of the destination’s theme. One half of the ball sits on the floor and the other is mounted above, suggesting parallel worlds and the metaverse.
The installation is in dialogue with the figurative sculpture at the coffee shop. Together, these elements communicate a substantial part of Farabazi’s overall concept.
We defined their shared story as follows: the figure has thrown a bowling ball, with one half appearing on the floor and the other in the metaverse.
The ball was painted with high-quality colours to create a cosmic appearance reminiscent of Jupiter. It represents a bowling ball teleporting through curved space and time. Low-level lighting and a single-point perspective contribute to the effect.
The installation occupies a 120-square-metre area. Each half of the ball has a diameter of four metres, and the overall installation is seven metres high.
The structure was also designed as a picture point where guests at Farabazi in Ghahramanan Amusement Park can take souvenir photographs.
For another application of this approach, explore Atlas Sculpture.
If you need artwork design and placement shaped by your organisation’s identity, talk to SARAAJ. Introducing the setting and objectives helps establish a scope grounded in the project’s actual requirements.