We design amusement parks as complete settings for play, family visits and shared experiences. Age groups, length of stay, the mix of games and site capacity inform the spatial programme, for outdoor parks and indoor entertainment centres alike.
Our designs bring together attraction layouts, circulation and queues, sightlines and supervision, rest areas, food and drink, family facilities and operating needs. Visual identity, characters, sculptural elements and environmental storytelling help make the experience coherent.
Design development coordinates equipment specifications, installation and maintenance needs with engineering disciplines. The agreed scope may range from concepts and spatial design to reimagining an existing park and coordinating the design with delivery.
These examples bring together Saraaj’s design studies and realised work. Each project page explains its approach, team roles and project status.
Farabazi Indoor Theme Park connects a metaverse and parallel-worlds narrative with lighting, games and spatial design. This SARAAJ project illustrates how a shared concept can bring varied sports and leisure activities into a connected experience.
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Ghahramanan Amusement Park Karting connects entertainment design with a visual identity of speed and excitement. Children’s and adults’ areas, support facilities and a narrative facade bring spatial experience and operating requirements into the same design brief.
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Farabazi Bowling connects bespoke lighting, furniture and counters with the venue’s parallel-worlds concept. The relationship with its coffee shop and waiting areas illustrates the integration of guest experience with a sports and leisure programme.
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Farabazi’s VR area coordinates equipment choices with the venue’s overall theme. This portfolio project illustrates the role of layout and environmental identity in integrating gaming technology into a leisure destination’s experience.
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Farabazi’s billiards and darts area connects game layouts, dedicated lighting and shared services in one environmental design. This SARAAJ portfolio project considers leisure in relation to movement, pauses and spatial identity.
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Farabazi’s shooting hall coordinates a sports programme with the venue’s lighting and colour identity. Shooting lanes, reception and surrounding surfaces illustrate the relationship between a specialised activity and the experience of a leisure setting.
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Farabazi’s bowling-ball installation anchors the venue’s parallel-worlds narrative. Its relationship with the coffee-shop figure, the split between floor and ceiling and its role as a photo point connect sculpture, place identity and visitor participation.
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Farabazi’s bumper-car area combines attraction design with line-art murals and thematic lighting. In this portfolio project, the entertainment activity and the artistic treatment of its setting contribute to the venue’s narrative.
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The Farabazi coffee shop sits alongside bowling, considering rest and waiting time as parts of the guest journey. A bespoke counter and a figure linked to the central bowling-ball installation extend the venue’s narrative into a hospitality space.
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Farabazi’s fast-food restaurant extends the venue’s metaverse concept and aurora palette into dining. A bespoke mural and photo opportunities connect food and relaxation with the broader Farabazi brand experience.
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The Horror Palace draws on Zahak’s story to connect Iranian mythology with an entertainment scenario. Spatial sequences, lighting, sound and scenic elements illustrate the design of a story-led attraction within SARAAJ’s portfolio.
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Galaxy Land explores the relationship between physical space, entertainment technology and storytelling in SARAAJ’s architectural portfolio. Its commercial and leisure environment is conceived around an immersive experience and the invitation to explore.
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Ondo’s Diamond Kish shopping and entertainment proposal translates the sparkle and geometry of a diamond into architecture and leisure experience. It explores destination identity through the relationship between facade, lighting and multifunctional spaces.
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The Kish resort and amusement-park proposal develops a pirate concept in relation to the island’s local identity. Parallel narratives for younger and adult audiences and an interdisciplinary process connect destination planning with storytelling and spatial experience.
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Ghahramanan’s VR Theme Park brings gaming equipment together with colour, lighting and spatial organisation. This SARAAJ case presents the design of a technology-led destination through its attractions and the experience of visiting it.
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Kids Club brings play activities and family amenities together within a connected spatial programme. This SARAAJ project presents children’s environment design through circulation, family participation and supporting facilities.
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The Thrilling Attractions area coordinates ride selection with colour, form and lighting. This SARAAJ portfolio case illustrates spatial design’s role in establishing the character of a high-energy entertainment environment.
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The Kids Rides area connects game selection and layouts with illustration and colour suited to younger children. This SARAAJ project illustrates how audience characteristics inform the identity and experience of a play environment.
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The food-and-drink areas at Ghahramanan Amusement Park combine varied dining services with clustered and distributed layouts. This portfolio case illustrates the role of supporting amenities in completing the experience of a leisure destination.
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Seven Stages of Shahnameh turns a story into a staged journey for children and teenagers. Scenery, sculptural characters and audience participation illustrate a cultural, experience-led attraction in SARAAJ’s portfolio.
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The Family Games area places different ages and ways of family participation at the centre of the design. This Ghahramanan portfolio case presents attention to access and shared experience within SARAAJ’s entertainment-space work.
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Explore projects in this specialty or Saraaj’s complete portfolio for more work and details of the design and delivery process.