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Portfolios

Projects 85–96 of 111

charging hut

Location : namakabrood
Installation Date : 2019
Height : 2.7 meters
Charging Hut is presented in SARAAJ’s portfolio within the field of functional environmental elements. The entry provides a context for considering everyday use and visual identity in the design of facilities for public spaces.

A Sunny Day

Location : Kish Island
Installation Date : 2018
Height : 1.5 meters
A Sunny Day forms part of the Kish, the Happy Island art campaign and SARAAJ’s coastal public-space work. It connects enjoyment of nature with tourism identity and an artistic marker for a seaside environment.

Spring Uncle

Location : Kish Island
Installation Date : 2019
Height : 4 Metes
Spring Uncle in Kish connects the Amu Nowruz character with nature and seasonal public-space design. This SARAAJ project explores the reinterpretation of cultural symbols in an installation that contributes to a place’s identity.

Kish, the Happy Island

Location : Kish Island
Installation Date : 2019
Height : 2 Meters
Kish, the Happy Island expresses a destination message through three-dimensional typography and visual elements. This SARAAJ project connects urban-sign design with tourism identity and direct audience communication.

Mice School

Location : Kish Island
Installation Date : 2020
Height : 1.8 Meters
Mice School at Kish Airport’s entrance connects shared memories of television characters with arrival at a destination. This SARAAJ project presents fantasy urban art shaped by nostalgia and connections across generations.

Atlas Sculpture

Location : Sepad Tourist Area, Mashhad
Design Date : 1402
Implementation Date : 1403
The Atlas Sculpture brings the Greek myth’s themes of strength and responsibility into the Star Pima narrative. Designed by SARAAJ and executed by Mehdi Tavassoli, it connects sculpture design with the identity of a story-led environment.

Enclosing the City Theater

Location : Mashhad
Installation Date : under comstruction
Height : 2 Meters
Mashhad City Theater’s enclosure turns the project boundary into a setting for recognising theatre and cinema practitioners. This SARAAJ case illustrates the cultural and identity-building role of construction enclosures in communication with passers-by.

The Cable Car

Location : Namak Abroud
Installation Date : 2019
Height : 2.7 Meters
The Cable Car installation at Namak Abroud reinterprets the destination’s main attraction through a child-friendly, humorous scene. This renewal case managed by SARAAJ illustrates the contribution of existing artworks to thematic legibility and tourism experience.

Red Riding Hood

Location : Namak Abroud
Installation Date : 2019
Height : 2.7 Meters
Red Riding Hood at Namak Abroud connects a familiar woodland story with a tourism installation. Its renewal with SARAAJ’s involvement illustrates attention to narrative continuity, environmental quality and the care of existing artworks.

A Memory Suitcase

Location : Kish Island
Installation Date : 2018
Height : 2.5 Meters
A Memory Suitcase in Kish turns travel and memory into an environmental marker. This SARAAJ project illustrates the role of human themes and poetic storytelling in designing an artwork related to a tourism destination’s identity.

I am Namak Abroud

Location : Namak Abroud
Installation Date : 2019
Height : 2.7 Meters
I Am Namak Abroud explores typography as place identity and a photographic backdrop. SARAAJ’s restoration and renewal-management role forms part of its experience caring for the visual markers of a tourism destination.

Colored City Enclosure

Location : Namak Abroud
Installation Date : 2020
Height : 2.7 Meters
Colored City Enclosure expresses the idea of accommodation through a rhythm of houses and colourful forms. This SARAAJ project illustrates a construction boundary coordinated with the development’s concept and its tourism setting.